Virtual Production Short Films

Year

2021

Client / Agency

Moonshine Animation

Role

3D Artist

Project Type

Virtual Production

Tools

Maya, Unreal Engine, Substance Painter, After Effects, Premiere

Project Overview

During the Unreal Engine artist internship at Moonshine, our group of 10 CG artists created two fantasy CG environments for filming. This included scripting, modeling, material creation, texturing, animation, VFX, and post-processing.

Process

We divided into technical artists and 3D artists, and I was in charge of working on materials, shaders, and modeling in the scene, including water materials, emissive plant materials, vertex animation, and props. This project was my first experience working with virtual production. During the internship, I became familiar with Unreal Engine, game asset production, and the virtual production pipeline. I also developed collaboration skills by working with a group of 3D artists using version control and working with technical artists to save time on tedious processes and optimize the scene run more efficiently.

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Final Result

We successfully accomplished the creation of two short films using virtual production techniques. This involved a comprehensive process of pre-production, meticulous planning, and innovative use of technology to bring our vision to life. Our team utilized Unreal Engine to build immersive, high-quality fantasy environments that served as the backdrop for our films. The production process was a collaborative effort, with each team member contributing their unique skills and expertise. From scripting and storyboarding to modeling, texturing, animation, and VFX, every aspect of production was carefully crafted to ensure the highest quality result.

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Credit

Spininess of Reality
Project Manager | Yi Ru Chen
Project Leader | Hsun Yu Lin, Jia Hao Yang
Concept Art | Jia Hao Yang
Technical Art | Yi XIiang Peng
Modeling | Tsung Yi Hung, Yun Ti Tseng, Chih Ling Kuo, Yi Ru Chen
Material & Shader | Winnie Hsu, Yun Ti Tseng, Tsung Yi Hung
Texture | Winnie Hsu, Yun Ti Tseng, Tsung Yi Hung
Layout | Hsun Yu Lin, Tsung Yi Hung
Previz | Hsun Yu Lin, Tsung Yi Hung, Jia Hao Yang
Rigging | Yi Ru ChenAnimation | Yi Ru Chen
Lighting | Hsun Yu Lin
VFX | Yi XIiang Peng Producer | Yi XIiang Peng, Yun Ti Tseng
Director | Yi Ru ChenGrip | Yi XIiang Peng, Tsung Yi Hung
Production Assistant | Jia Hao Yang
Script Supervisor | Chih Hwan Chen
Stylist & Makeup| Tsung Yi Hung
Actress | Yi Ru Chen Editor | Tsung Yi Hung
Compositor | Hsun Yu Lin, Tsung Yi Hung
Colorist | Hsun Yu Lin

Swamp of Illusions

Project Manager | Yi Ru Chen
Project Leader | Tzu Chi Tseng, Chih Hwan Chen
Concept Art | Chih Hwan Chen
Technical Art | Yi XIiang Peng
Modeling | Tzu Chi Tseng, Chih Ling Kuo, Chih Hwan Chen, Yun Ti Tseng, Winnie Hsu
Material & Shader | Tzu Chi Tseng, Chih Ling Kuo, Chih Hwan Chen, Winnie Hsu
Texture | Tzu Chi Tseng, Chih Ling Kuo, Chih Hwan Chen, Winnie Hsu
Layout | Tzu Chi Tseng
Previz | Chih Ling Kuo, Yi Ru Chen, Chih Hwan Chen
Rigging | Yi Ru Chen
Animation | Yi Ru Chen
Lighting | Tzu Chi Tseng
VFX | Yi XIiang Peng Producer | Yi XIiang Peng, Yun Ti Tseng
Director | Yi Ru Chen
Grip | Tzu Chi Tseng
Production Assistant | Jia Hao Yang
Script Supervisor | Chih Hwan Chen
Stylist & Makeup| Chih Ling Kuo
Actress | Yi Ru Chen Editor | Winnie Hsu
Compositor | Tzu Chi Tseng
Colorist | Tzu Chi Tseng

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